| Research Abstract: |
| Japanese traditional music has been a subject of descriptions, |
| impressions and evaluations by Western intellectuals since the 16th |
| century. These can be grouped in several categories of changing |
| tendencies: 1. Description of musical phenomena as exotic |
| curiosities. Aesthetic and musical criteria of evaluation are |
| typically European, sometimes patronizing and frequently arrogant. |
| Examples of these begin with Portuguese missionaries of the 16th |
| century. 2. Description aiming at objective appreciation but still |
| dominated by European criteria (19th century). 3. 20th century |
| European and American scholars attempting objective research of |
| Japanese music and an interpretation by standards based on its own |
| cultural background. 4. Opinions of Western scholars, writers and |
| music professionals regarding Japanese music as a source of |
| inspiration for contemporary Western culture and music. In |
| conclusion, a gradual but consistent change from a Eurocentric |
| attitude to an objective and appreciative evaluation of Japanese |
| music can be observed. |